Marty Love

in the bedroom



















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 Marty Love began his recording career in the summer of '95 when he constructed his first studio out of a small, four input mixing console and three tape recorders which he used for over dubbing his mix's. It was the closest thing to a studio he could afford at the time. But this sparked something deep within him. He knew that someday he was going to be a recording engineer.

     On his first recordings he played all the instruments, bass, guitar, drums, and anything he could get his hands on that made sound. But he never let anyone hear these recordings of his, because he is a perfectionist. Those little recordings were not what he wanted to hear. They of course, were fun for the young man, but not worthy of the animal with in. He needed more.

     As time progressed, so did his studio. He began working long hours at numerous jobs just so that he could slowly piece his studio together. He purchased bigger and better mixers, pricier and more superb tape recorders, and multiple effects processers.  He perfected his mixes and recordings to the best that he could at the time. It was only until early 2001 that he actually felt confident about sharing his recorded music with anyone, and even those are hard to find.

     When he began assembling his own studio he decided to take a step that most people wouldn't have, he went analog. Why would someone go analog when everyone can see that digital is the way to go? But Marty had a different plan and a dream that didn’t go that digital route. He said that the one thing he hated about digital producers that he met was that when people learn to record on digital systems they get stuck into that visual idea of what a song should look like. Instead he wanted to train his ears to know what a song should sound like. 

     In 2005, after producing two full length albums and several EP’s, Marty finally gave in. He felt that his ear was finally ready and now it was time to make things easier in the mix down process with digital. Over the years Marty had worked with quite a few producers and had gotten plenty of training in the digital producing world, so the transition was actually easier than he anticipated. The hardest thing about it was just learning where everything was located in the programs that he was using.

     Now everyone has an opportunity to listen to the creative genius that he is. And I believe it begins his almost definite quest for fame. 

              ~Mamma Love
















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Marty Love Studios equipment list:
  • Behringer MX9000 mixing console
  • Alesis ADAT recorder (3)
  • Cubase SX
  • Echo Layla3G Interface
  • Behringer Vertulizer
  • Behringer Compressor Pro
  • DBX Compressor/Gate (2)
  • Behringer Multi Gate Pro 
  • Alesis Masterlink
  • Behringer Ultra-Graph Pro  
  • Shure SM57, SM58
  • MXL Condeser mics

Marty Love's production credits:

  • Carnuba - "My Rocketship" 2005 (Producer, Engineer, Bass, Vocals)
  • Invisible Orchestra - "The Bird" 2005-7 (Producer, Engineer)
  • Alder Dice - "Roll Them Alder Dice (ep)" 2006 (Producer, Engineer)
  • Carnuba - "Sit Back To Touch The Sky (ep)" 2006 (Producer, Engineer, Bass, Vocals)
  • The Cheektones - "Razor Burn (ep)" 2008 (Co-Producer, Engineer, Bass, Percussion) 
  • Hot Honey - "Unnamed (ep)" 2009 (Producer, Engineer)
  • Carnuba - "Palms Sessions" 2010 (Co-Producer, Engineer, Bass, Vocals, Percussion) 
  • JNG Band - "Honky Tonk Hustle" (currently in production, Engineer)
  • Marty Love - "The Amazing Adventures of Random Chance and Ana Molly" (currently in production)
  • Compilation - "A Biskit Christmas" (Pre-production)
















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This site is created and mantained by: Mamma Love
To join the mailing list contact: Marty Love

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